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Casino Royale is exactly what the franchise needs to keep in the game against the Bournes and Missions: Impossible of the world. This is a much more serious Bond than we've seen in many years.

Daniel Craig inhabits the dark side of the secret agent really well, he is absolutely the best Bond since Connery. Craig's humanised, more flawed interpretation of the role balances Campbell's physical direction and co-writer Paul Haggis's sparing wit, while Eva Green provides an alluring love interest.

Rebooting a film franchise can often come across as an act of desperation: Perversely, the more successful a given reboot is, the easier it seemingly becomes to pull this same trick again the second that a particular instalment mildly underperforms.

It may seem hard to believe in an age of cinematic universes where knowledge of superhero continuity is a badge of honour - but then we remember that Spider-Man and Superman have both been rebooted twice in the space of a decade.

Die Another Day marked the Bond series' 40th anniversary in the most deeply disappointing way possible, serving up a glorified greatest hits compilation which played out like reheated leftovers.

Faced with its deserved critical kicking and Pierce Brosnan's subsequent departure, the guardians of the series must have felt that starting from scratch and going back was the only way forward.

Casino Royale is a worthy exception to the rule that reboots are pointless and underwhelming, delivering just the sort of reinvention that the franchise needed.

It may even be the best film in the entire series. Part of the secret behind the Bond series' longevity is that it has always adjusted its character and storylines to the culture and politics of a given period.

Sometimes it has done this so nakedly that the films in question date badly, whether it's Live and Let Die's attempts at aping Shaft, The Man with the Golden Gun cashing in on Enter the Dragon, or Moonraker trying and failing to be the next Star Wars.

Often Bond has been at his best when he acknowledges his mortality and the world changing around him, while retaining the character elements which made him so popular in the first place.

Goldeneye made a big deal about the Cold War ending, but it still felt like a story in which Bond had a rightful place. The spectre hanging over Casino Royale, and indeed all of the Daniel Craig era, is the Bourne series.

The first three films shifted the goalposts of what constituted a modern action-thriller, innovating with its gripping storylines, sharp camerawork and relatable yet remarkable protagonist.

Even Brosnan admitted that the series would have had to raise its game in the face of what The Bourne Identity did; watching that and Die Another Day now, it's hard to believe that they came from the same decade, let alone the same year.

Casino Royale manages to match The Bourne Supremacy for quality, borrowing some of its aesthetic touches particularly in the chase sequences while also capturing the intrigue of Ian Fleming's original novel.

Like Paul Greengrass, Martin Campbell understands the need to knit action and character scenes together to create a holistic, gripping package; the action feels like an integral and natural part of the drama, rather than interrupting it in order to show off the budget.

Campbell brings the same calm, steady and methodical touch that he brought to Goldeneye; having saved Bond from irrelevance once, he does it again in some style.

Skyfall so often gets praised for acknowledging Bond's past while still being modern and relevant, but Casino Royale manages to pull off this same trick, and arguably does it slightly better.

Where Skyfall consciously tips its hat to the older films through costumes, characters or props such as the iconic Aston Martin DB5 , Casino Royale is more subtle; all the classic elements are there, but they've been modernised and refined so that they make more sense in the real world.

It's still fitting for Bond to drive an Aston Martin, and it's a nice touch to see its distant predecessor roll by.

But it wouldn't make sense for Bond's car to have many gadgets that he doesn't need, and having the car be wrecked to save Vesper makes complete sense.

Where Roger Moore or Brosnan's films glorified the gadgets, this restores some welcome credibility and keeps the hardware under wraps unless absolutely necessary.

Along these same lines, the screenplay takes all the best elements of Fleming's novel and transposes them into a contemporary setting. It still has all the glamour of the classic casino scenes from the Sean Connery era, but the playful banter and flirting has been replaced with high stakes, tense glances and much more serious consequences.

Le Chiffre's relationships with arms dealers and dodgy speculation on the stock market felt current for its day and still feels very fresh; great effort is expended to ground the character's motivations while maintaining an air of intrigue, mystery and threat.

The film takes itself seriously, but not too seriously; it wants to have fun, but it puts credibility above out-and-out entertainment, unlike many of Moore's entries in the canon.

Le Chiffre's characterisation is also an interesting departure from what the Bond villain archetype has become. Where the likes of Drax, Stromberg and Blofeld wanted to single-handedly destroy or take over the world, Le Chiffre is essentially a middle-man; he is to the Craig era what Kristatos was in For Your Eyes Only, but better written and with a more interesting, more murky motivation.

Like Bond, he is ultimately a pawn of bigger forces who struggles at times not to buckle under the pressure as the torture scene demonstrates ; by making him so small, he becomes more believable and more intimidating, even without the bleeding eye.

He may look like the lead singer of Franz Ferdinand in his haircut and dress sense, but Mads Mikkelson plays him brilliantly, bringing a cold, dead-eyed feel to the character which both intrigues and repulses an audience.

Creating convincing poker scenes in films is pretty difficult. The vast majority of efforts go for a highly stylised or choreographed approach, where audience expectations are pandered to through needless editing trickery; think of the final hand in The Cincinnati Kid, or the royal flush sequence in Maverick.

Casino Royale's poker scenes may be more stylised than those in, say, The Sting or Rounders, but they are still very well-executed with good pacing and a frisson of unpredictability.

What really makes them work, however, is the build-up in the script; there are little poker motifs dotted throughout, with comments about tells and misdirection.

Because the film makes such a big theme out of bluffing and people not being what they seem, the card games don't feel like isolated set-pieces, and the later developments with Mathis and Vesper feel credible and yet still surprising.

It isn't just that both characters ultimately don't make it past the final reel; the characters are both instrumental in the making of Bond, an affront and a challenge to his impulsive, playboy instincts and a safe refuge from the madness of his job and the people he has to kill.

Eva Green is every bit as gripping and electric on screen as Diana Rigg before her; Vesper goes toe-to-toe with Bond and we get genuine character development, making her betrayal and death all the more shocking and heartbreaking.

Craig's Bond is a changed man by the end of the film - it's just a pity that the resolution to his heartbreak in Quantum of Solace was as underwhelming and mishandled as the similar attempt in Diamonds Are Forever.

The heartbreak surrounding Vesper brings us onto another of Casino Royale's great successes: Desmond Llewellyn's Q may have advised Bond that he should never let his enemies see him bleed, but the best Bond films have never been afraid of putting him through the mill, getting him into dangerous situations which can only be resolved at great cost - a cost often numbed by women and alcohol.

The fight scenes in Casino Royale feel brutal, just as they should do; it isn't interesting to have someone waltz through conflict as though it was nothing.

The torture scene and the defibrillator scene are great in isolation, but they are matched by Bond's emotional torment of losing Vesper.

For the first time since Timothy Dalton's era - or Goldeneye at a push - Bond's pain feels real and meaningful. All of which brings us to Daniel Craig as Bond.

While his subsequent films have been hit-and-miss, his performance here is more than enough to silence those who criticised his casting all those 'James Blonde' jokes sound all the more desperate now.

He takes the suffering and burnt-out approach that Dalton brought and fuses it with some of Connery's unabashed cool to create a truly modern and contemporary Bond.

He also has the confidence to eschew convention as much as he chooses to reflect or inhabit it; we get a build-up to a cliched sex scene, but then he's quickly on his toes and back to the plot.

Casino Royale is a great, gripping spy thriller and arguably the finest of all the James Bond films.

While it is slightly too long and a little too candid with some of its product placement, it remains an extraordinary reinvention of a franchise which had long been in need of a boost.

Craig impresses in his first and finest performance as Bond, and Martin Campbell directs with great common sense and precision to create a majestic and immensely enjoyable film.

Whether looking at the newer films or the franchise as a whole, this has set a very high bar which has yet to be beaten. With Daniel Craig reinventing the role like never before, Casino Royale reboots the Bond franchise with gusto and intelligence not seen before in the long running franchise.

Thanks to the best story of the series to date, Casino Royale features the right blend of exhilarating action and heart pounding drama.

Daniel Craig is the best Bond since Connery and for my money the best actor to play the character. The fact that the series hasn't reach the heights of this film before or since only makes it an easier decision as my all-time favorite film in the franchise.

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Keep track of everything you watch; tell your friends. Full Cast and Crew. Related News Darth Vader: Share this Rating Title: Casino Royale 5.

Use the HTML below. You must be a registered user to use the IMDb rating plugin. Nominated for 1 Oscar. Learn more More Like This. Never Say Never Again On Her Majesty's Secret Service What's New Pussycat You Only Live Twice Diamonds Are Forever GP Action Adventure Thriller.

Sean Connery, Jill St. The Pink Panther Live and Let Die The Man with the Golden Gun From Russia with Love Edit Cast Cast overview, first billed only: Vesper Lynd David Niven Only two days following the premiere, unlicensed copies appeared for sale in London.

Craig himself was offered such a DVD while walking anonymously through the streets of Beijing wearing a hat and glasses to avoid being identified.

In January , Casino Royale became the first Bond film ever to be shown in mainland Chinese cinemas. The Chinese version was edited before release, with the reference to the Cold War re-dubbed and new dialogue added during the poker scene explaining the process of Texas hold 'em , as the game is less familiar in China this addition is reminiscent of dialogue that was added to the American TV adaptation to explain the rules of baccarat , the game featured in the original book.

Casino Royale was the 4th highest-grossing film of , and was the highest-grossing instalment of the James Bond series until Skyfall surpassed it in November As well as features present from the release, the collector's edition contains an audio commentary , deleted scenes, featurettes and a storyboard-to-film comparison.

Casino Royale was released a third time on Blu-ray in with DTS audio and deleted scenes, but with less special features than the edition. In the United States, two fight scenes were censored to achieve a PG rating: The German edit of the film cuts a sequence where the bomb-planter at the airport breaks a man's neck, instead replacing it with an alternative take.

The mainland Chinese cut of the film also trims the torture scene and the stairway fight, as well as a shot of Bond cleaning his wound at the hotel, and a boat scene.

Critics responded with praise to the film, in particular to Craig's performance and credibility. During production, Craig had been subject to debate by the media and the public, as he did not appear to fit Ian Fleming's original portrait of the character as tall, dark and suave.

The Times compared Craig's portrayal of the character to that of Timothy Dalton , and praised the action as "edgy", [79] with another reviewer citing in particular the action sequence involving the cranes in Madagascar.

The film was similarly well received in North America. MSNBC gave the movie a perfect 5 star rating. The site's critical consensus reads, " Casino Royale disposes of the silliness and gadgetry that plagued recent James Bond outings, and Daniel Craig delivers what fans and critics have been waiting for: This is a screwed-up Bond, a rogue Bond, a bounder, a scrapper and, in the movie's astoundingly bleak coda, an openhearted lover.

Vicky Allan of the Sunday Herald noted Bond himself, and not his love interests, was sexually objectified in this film.

A moment where he rises from the sea is reminiscent of Ursula Andress in Dr. No ; he feels "skewered" by Vesper Lynd's criticism of him; "and though it would be almost unthinkable now have a female character in a mainstream film stripped naked and threatened with genital mutilation, that is exactly what happens to Bond in [the film].

Furthermore, I consider Daniel Craig to be the most effective and appealing of the six actors who have played , and that includes even Sean Connery.

Roger Moore wrote, "Daniel Craig impressed me so greatly in his debut outing, Casino Royale , by introducing a more gritty, unrefined edge to the character that I thought Sean [Connery] might just have to move over.

Craig's interpretation was like nothing we'd seen on screen before; Jimmy Bond was earning his stripes and making mistakes.

It was intriguing to see him being castigated by M, just like a naughty schoolboy would be by his headmaster.

The script showed him as a vulnerable, troubled, and flawed character. Quite the opposite to my Bond! Craig was, and is, very much the Bond Ian Fleming had described in the books — a ruthless killing machine.

It was a Bond that the public wanted. However, the film met with mixed reactions from other critics.

Rob Gonsalves of eFilmCritic. Though American radio personality Michael Medved gave the film three stars out of four, describing it as "intriguing, audacious and very original In December , Casino Royale was named the best film of the year by viewers of Film The film appeared on many critics' top ten lists of the best films of From Wikipedia, the free encyclopedia.

This article is about the film. For the film, see Casino Royale film. For other uses, see Casino Royale. British theatrical release poster.

Casino Royale soundtrack. Film portal James Bond portal s portal. Retrieved 6 May Retrieved 21 November Campbell on Casino Royale".

Retrieved 22 March Retrieved 16 June Retrieved 23 October The New York Times. Retrieved 20 June Retrieved 10 March Retrieved 7 December Retrieved 5 March Retrieved 29 April Archived from the original on 2 April Retrieved 17 April Retrieved 5 August Wilson said actors had been considered".

Retrieved 4 April Retrieved 3 November Archived from the original on 18 April Retrieved 23 March Retrieved 8 November Retrieved 10 August Retrieved 11 October Retrieved 15 May Archived from the original on 21 October Retrieved 12 September Archived from the original on 19 March Retrieved 3 April Retrieved 2 April Archived from the original on 14 April Retrieved 27 December Retrieved 4 March Archived from the original on 2 September Ernie Els Official Website.

Archived from the original on 18 June Archived from the original on 11 October Retrieved 9 August Retrieved 29 January Retrieved 26 July Retrieved 16 March Retrieved 28 February Retrieved 30 January Retrieved 29 March Retrieved 20 March Retrieved 15 August

Following Die Another DayEon Productions decided to reboot the series, [4] [5] allowing them to show a less experienced and more vulnerable Bond. Bond and Vesper travel to Venice. The Man with the Golden Gun Mario balotelli from the original on 21 April The bumbling Inspector Clouseau travels to Rome to catch a notorious jewel thief known as "The Phantom" before he conducts his welche mannschaft spielt heute fußball daring heist yet: Archived from the original on 21 October Josh Lewis Super Reviewer. Bond returns to the game just as Leiter loses his last hand to Le Chiffre. Archived from the original on 11 October So of course, this version of Bond is a joyous surprise for me - my youthful daydreams have been casino neueröffnung stralsund and at last fully satisfied.

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The film takes itself seriously, but not too seriously; it wants to have fun, but it puts credibility above out-and-out entertainment, unlike many of Moore's entries in the canon.

Le Chiffre's characterisation is also an interesting departure from what the Bond villain archetype has become.

Where the likes of Drax, Stromberg and Blofeld wanted to single-handedly destroy or take over the world, Le Chiffre is essentially a middle-man; he is to the Craig era what Kristatos was in For Your Eyes Only, but better written and with a more interesting, more murky motivation.

Like Bond, he is ultimately a pawn of bigger forces who struggles at times not to buckle under the pressure as the torture scene demonstrates ; by making him so small, he becomes more believable and more intimidating, even without the bleeding eye.

He may look like the lead singer of Franz Ferdinand in his haircut and dress sense, but Mads Mikkelson plays him brilliantly, bringing a cold, dead-eyed feel to the character which both intrigues and repulses an audience.

Creating convincing poker scenes in films is pretty difficult. The vast majority of efforts go for a highly stylised or choreographed approach, where audience expectations are pandered to through needless editing trickery; think of the final hand in The Cincinnati Kid, or the royal flush sequence in Maverick.

Casino Royale's poker scenes may be more stylised than those in, say, The Sting or Rounders, but they are still very well-executed with good pacing and a frisson of unpredictability.

What really makes them work, however, is the build-up in the script; there are little poker motifs dotted throughout, with comments about tells and misdirection.

Because the film makes such a big theme out of bluffing and people not being what they seem, the card games don't feel like isolated set-pieces, and the later developments with Mathis and Vesper feel credible and yet still surprising.

It isn't just that both characters ultimately don't make it past the final reel; the characters are both instrumental in the making of Bond, an affront and a challenge to his impulsive, playboy instincts and a safe refuge from the madness of his job and the people he has to kill.

Eva Green is every bit as gripping and electric on screen as Diana Rigg before her; Vesper goes toe-to-toe with Bond and we get genuine character development, making her betrayal and death all the more shocking and heartbreaking.

Craig's Bond is a changed man by the end of the film - it's just a pity that the resolution to his heartbreak in Quantum of Solace was as underwhelming and mishandled as the similar attempt in Diamonds Are Forever.

The heartbreak surrounding Vesper brings us onto another of Casino Royale's great successes: Desmond Llewellyn's Q may have advised Bond that he should never let his enemies see him bleed, but the best Bond films have never been afraid of putting him through the mill, getting him into dangerous situations which can only be resolved at great cost - a cost often numbed by women and alcohol.

The fight scenes in Casino Royale feel brutal, just as they should do; it isn't interesting to have someone waltz through conflict as though it was nothing.

The torture scene and the defibrillator scene are great in isolation, but they are matched by Bond's emotional torment of losing Vesper.

For the first time since Timothy Dalton's era - or Goldeneye at a push - Bond's pain feels real and meaningful. All of which brings us to Daniel Craig as Bond.

While his subsequent films have been hit-and-miss, his performance here is more than enough to silence those who criticised his casting all those 'James Blonde' jokes sound all the more desperate now.

He takes the suffering and burnt-out approach that Dalton brought and fuses it with some of Connery's unabashed cool to create a truly modern and contemporary Bond.

He also has the confidence to eschew convention as much as he chooses to reflect or inhabit it; we get a build-up to a cliched sex scene, but then he's quickly on his toes and back to the plot.

Casino Royale is a great, gripping spy thriller and arguably the finest of all the James Bond films. While it is slightly too long and a little too candid with some of its product placement, it remains an extraordinary reinvention of a franchise which had long been in need of a boost.

Craig impresses in his first and finest performance as Bond, and Martin Campbell directs with great common sense and precision to create a majestic and immensely enjoyable film.

Whether looking at the newer films or the franchise as a whole, this has set a very high bar which has yet to be beaten. With Daniel Craig reinventing the role like never before, Casino Royale reboots the Bond franchise with gusto and intelligence not seen before in the long running franchise.

Thanks to the best story of the series to date, Casino Royale features the right blend of exhilarating action and heart pounding drama.

Daniel Craig is the best Bond since Connery and for my money the best actor to play the character. The fact that the series hasn't reach the heights of this film before or since only makes it an easier decision as my all-time favorite film in the franchise.

Even casual fans can get their money's worth out of this. If you only watch one Bond film, make it this one. Daniel Craig revitalizes the Bond franchise the same way Bale saved Batman.

This was a throwback to the good ol days of Connery Bond. Almost all the the good stuff i heard about Casino is true. It is indeed one of the best Bonds ever and I'm really looking forward to the next installment.

Now - I hate when people say this but here goes - this movie was just too darn long. Don't even TRY to introduce a romance two hours into a film.

More Top Movies Trailers Forums. Season 7 Black Lightning: Season 2 DC's Legends of Tomorrow: Season 4 The Deuce: Season 2 Doctor Who: Season 11 The Flash: Season 3 Saturday Night Live: Season 4 The Walking Dead: Part of the Collection: View All Videos 1.

View All Photos James Bond's first mission takes him to Madagascar, where he is to spy on a terrorist Mollaka. Not everything goes as planned and Bond decides to investigate, independently of the MI6 agency, in order to track down the rest of the terrorist cell.

Following a lead to the Bahamas, he encounters Dimitrios and his girlfriend, Solange. He learns that Dimitrios is involved with Le Chiffre, banker to the world's terrorist organizations.

Secret Service intelligence reveals that Le Chiffre is planning to raise money in a high-stakes poker game in Montenegro at Le Casino Royale.

MI6 assigns to play against him, knowing that if Le Chiffre loses, it will destroy his organization. At first skeptical of what value Vesper can provide, Bond's interest in her deepens as they brave danger together--and even torture at the hands of Le Chiffre.

The marathon game proceeds with dirty tricks and violence, raising the stakes beyond blood money and reaching a terrifying climax.

PG for intense sequences of violent action, a scene of torture, sexual content and nudity. Daniel Craig as James Bond.

Eva Green as Vesper Lynd. Mads Mikkelsen as Le Chiffre. Judi Dench as M. Jeffrey Wright as Felix Leiter. Giancarlo Giannini as Mathis. Caterina Murino as Solange.

Simon Abkarian as Alex Dimitrios. Jesper Christensen as Mr. Ivana Milicevic as Valenka. Claudio Santamaria as Carlos.

Tobias Menzies as Villiers. Sebastien Foucan as Mollaka. Malcolm Sinclair as Dryden. Richard Sammel as Gettler.

Ludger Pistor as Mendel. Joseph Millson as Carter. Daud Shah as Fisher. Clemans Schick as Kraft. Emmanuel Avena as Leo. Tom Chadbon as Stockbroker.

Dayo Ade as Infante. Urbano Barberini as Tomelli. Madame Wu as Tsai Chin. Charlie Levi Leroy as Gallardo. Lazar Ristovski as Kaminofsky. Tom So as Fukutu.

Veruschka von Lehndorff as Gräfin von Wallenstein. Daniel Andreas as Dealer. Christina Cole as Ocean Club Receptionist. Jürgen Tarrach as Schultz.

John Gold as Card Player. Jerry Inzerillo as Card Player. Casino Royale 5. Use the HTML below. You must be a registered user to use the IMDb rating plugin.

Nominated for 1 Oscar. Learn more More Like This. Never Say Never Again On Her Majesty's Secret Service What's New Pussycat You Only Live Twice Diamonds Are Forever GP Action Adventure Thriller.

Sean Connery, Jill St. The Pink Panther Live and Let Die The Man with the Golden Gun From Russia with Love Edit Cast Cast overview, first billed only: Vesper Lynd David Niven Sir James Bond Orson Welles Le Chiffre Joanna Pettet Mata Bond Daliah Lavi The Detainer Woody Allen Le Grand John Huston McTarry M Kurt Kasznar George Raft Jean-Paul Belmondo Casino Royale is too much for one James Bond!

Edit Details Official Sites: Black and White archive footage: Keystone Cops Color Technicolor. Edit Did You Know? Although Mata Bond was put in the same base earlier, Cooper was last seen much earlier in the film safe at MI5, and his presence in the base id never explained.

A good spy is a pure spy. The greatest spy in history, gentlemen. The true - one and only - original - James Bond. Crazy Credits The opening credit animation by Richard Williams parodies illuminated manuscripts with cartoon-style calligraphy.

It sets the tone for the film as a psychedelic "knight's tale" of Sir James Bond. Alternate Versions According to the book, The Bond Files, the film was never shown with anything other than the Peter Sellers in Paris opening sequence.

It's possible the gunbarrel parody if filmed was removed before general release.

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